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When Jane Austen was a little girl in the late 1770s, ladies wore huge head-dresses, and heavy silk and brocade sack gowns, supported by enormous hoop petticoats and pads (false ‘bums’) underneath the skirt.
‘High change in Bond St’. Fashions of 1796. James Gillray, Library of Congress LC-USZC4-8766. |
A court mantua, 1760s. |
Allegorical woodcut from April 1809 issue of Ackermann’s Repository of Arts, with samples of scarlet and gold furniture calico, a striped ‘Scotia silk’, and a spotted muslin. Author’s collection. |
1820s fashions. The gown on the left is a purple silk gauze
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Fashions of 1800. Author’s collection. |
Lady's Monthly Museum, August 1798 fashions. Author's collection. |
1815 fashions. The yellow print calico gown is c.1815; man’s woollen uniform same date; the blue dress c.1808 is possibly for a young girl to wear. |
Sue is the author of seven books: http://amzn.to/1elkCup. Her new book, Regency Spies, will be published by Pen & Sword later this year. She is a member of the Society of Authors. She writes for adults and children and is a creative writing tutor for the Writers Bureau. Sue like toast, crisp clear autumn mornings, and haunting secondhand bookshops.
Written content of this post and 3 author photos of displays at the Museum of Costume, Bath http://www.fashionmuseum.co.uk, © Sue Wilkes, 2015.
9 comments:
What about the sprigged muslin, which Jane Austin reserves for her younger characters?
It must have been so liberating to get rid of the hoops etc. Think I'd rather have had goosebumps than try to navigate with a hoop tied to my waist - an accident waiting to happen!
and think of all those exciting figured muslins from India, with gold threads, satined stripes, different weight of thread in stripes, and those embroidered, whether sprigged all over or embroidered heavily at the edge. Indian techniques could also apply patterns of gold or silver foil.
Cloud, by the way, which is mentioned in Jane Austen's letters, was a fabric on which a pattern was printed on the warp before weaving, so that it was clouded or misty one the weft had been added.
I'd be exactly the same!
Ah, of course!
Such beautiful fabrics to work with!
And in many countries today "cloud" is most commonly known as "ikat"
thank you! I didn't know that
Thank you!
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