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For me, writing historical romance must
include real history—and it’s a character in each of my stories. What do I mean
by that? First, the historical element is not just setting or “background.”
Rather, the historical events of the time are woven in along with real
historical figures. Unlike historical fiction, because I write romance, there
is always a main love story in the foreground and a happy ending.
Typically, I begin with an idea, a scene or
a character. For the first in the Agents of the Crown trilogy, Racing With The Wind, it was the
character Lady Mary Campbell. I have always believed that women in past times
were no different in character, hopes and dreams than women are today. There
have always been women who were happy to conform to the expectations of their
times and there have always been women who did not. Perhaps because of their
intelligence and curiosity, those who do not conform become bored with the role
carved out for their sex and so they push the envelope of what is acceptable. I
wanted to take a woman like that and look at her through the lens of Regency
England. What would she do differently than the women of her age?
While Regency England (the period from 1811-1820), was
characterized by a Prince Regent who lived a debauched lifestyle where
courtesans might have been treated better than the wives of arranged marriages,
still a young lady of the nobility would be raised in a certain manner with
certain expectations of proper behavior. My heroine is one of those but she
will rebel. She will ride astride in men’s clothes (as some, in fact, did); she
will be educated and read the classics; and she will be adventure seeking. So
armed with that information, I went looking for history that would make for an
interesting setting. And I found it in Paris in 1816.
With
Napoleon exiled to St. Helena and Louis XVII restored to France’s throne, much
was happening in Paris. The allied troops were still encamped around the city
and the officers frequented Louis’ Court. Knowing what I do about governments,
I knew there would be spies as well as statesmen. And that brought me to my
hero. He had to be strong enough to handle Lady Mary Campbell, and wise enough
to appreciate her unique personality. Of course, while drawn to her beauty and
spirit, he would find her independent nature most troublesome. Enter the
Nighthawk, a mysterious figure—a legend in France during Napoleon’s reign—who
stole secrets in the dead of night, secrets that were at the heart of
Napoleon’s military campaigns.
Then
I had to have other characters, a best friend for Mary, a colleague or two for
the Nighthawk, also known as Hugh, the Marquess of Ormond. The interesting
thing to me was that I found a woman who actually lived in Paris at that time
who was so like Lady Mary that I decided to incorporate her into my story.
Thus, the real person of Germaine de Stael became a friend and mentor of sorts
to my fictional heroine. And the rest, of course, is the romance!
Germaine de Stael |
For the third in my trilogy, Wind Raven, a seafaring Regency, I
started with the hero, Jean Nicholas Powell, a sea captain and an arrogant
Englishman who gave up on love (and virgins in particular) some years ago. Now
he loves only his ship, his crew and his life at sea. For this man, I needed a
woman he would come to respect who would defy convention and give him a major
run for his money.
Enter the American patriot, Tara McConnell
from the shipbuilding family of privateers who built the Boston Clipper ships
that helped America run the British blockades in the War of 1812. Tara, who
grew up on her father’s ships, disdains the English even though the war has
been over for a few years. Yet she was forced by her father to spend a year in
London with her aunt, a dowager baroness, and to have a Season. I had a real,
historic model for Tara in Anne Chamberlyne, a scholar’s daughter and member of
the gentry who, declining offers of marriage in 1690, at the age of
twenty-three, donned a man’s clothing and joined her brother’s ship to fight
the French off Beachy Head. Tara was just such a woman. Once Tara becomes a
passenger on Nick’s ship, the sparks start to fly. She wants to act a member of
his crew and he wants her far from the action.
It was important to me that I get all the
ship scenes correct and use all the right terminology, particularly since both
Tara and Nick well understood the workings of a schooner. I read my 4-inch
thick Sailor’s Word Book and studied
drawings of schooners of the period until I was seeing them in my dreams. I
also took a ride on a schooner of the period, the Californian (pictured below) to get a feel for the movement of the
ship—and in doing so, I found a friend and my consultant in the person of the
ship’s gunner to whom the book is dedicated.
I did extensive research for this book. It included
not just schooners of the period and the War of 1812, but what was happening on
Bermuda (where Nick makes a stop and they dine with real historic figures
living there in 1817), how a schooner would weather a major storm at sea, and,
most importantly, the real pirate Roberto Cofresi, who is a character in the
story and falls in love with Tara. A tall, blond giant of a man from Puerto
Rico, Cofresi preyed on merchant ships not flying the flag of Royal Spain. And
he had reason to do so, as you’ll see in my story. While you are reading a
romance, you are also learning something about a real pirate who plagued the
seas at the time.
My latest novel, The Red Wolf’s Prize, is a medieval set in England in 1068, two
years after the Norman Conquest and features the Siege of Exeter, the Battle of
York and a love story for the ages.
About the Author
Bestselling author Regan Walker loved to write stories as a child, particularly those about adventure-loving girls, but by the time she got to college more serious pursuits took priority. One of her professors encouraged her to pursue the profession of law, which she did. Years of serving clients in private practice and several stints in high levels of government gave her a love of international travel and a feel for the demands of the “Crown” on its subjects. Hence her romance novels often involve a demanding sovereign who taps his subjects for “special assignments.” In each of her novels, there is always real history and real historic figures.
Regan lives in San Diego with her golden retriever, Link, whom she says inspires her every day to relax and smell the roses.
www.reganwalkerauthor.com
Find Regan Online
Find Regan Online
Regan’s Amazon author page: http://www.amazon.com/Regan- Walker/e/B008OUWC5Y
Regan’s website: http://www.reganwalkerauthor. com/
Regan’s blog: http://reganromancereview. blogspot.com/
Twitter: @RegansReview (https://twitter.com/ RegansReview)
Facebook: http://www.facebook.com/regan. walker.104
Written content of this post copyright © Regan Walker, 2014.
15 comments:
Sounds excellent! History can drive a novel, and odd events change the course of it when they pop up during research! the events, the weather, it all counts!
That's how I like to write as well! Great insight, thank you!
Hi Catherine! So glad to be on your wonderful blog.
Thanks for stopping by, GD. So glad you found similarities in our approaches.
Small things can make such a huge difference!
Thank you for visiting!
It's my pleasure; return anytime!
Catherine, the book I'm writing now, the prequel to my trilogy set in 1782 in France and England should provide some delicious history for us to chat about!
I can't wait!
Hi Regan,
Your historical research is meticulous and it shows. I loved reading Wind Raven, and Nick was a wonderful hero.
Regards
Margaret
Places can serve as characters as well.
Very definitely!
Thank you for stopping by!
Thanks, Margaret. It means a lot to know readers appreciate the details that make the fictional world seem real. Even my Christmas novella, The Twelfth Night Wager, has history of the season in 1818.
Exactly, DL. And I use places, too. In my Christmas novella, The Twelfth Night Wager, Wimpole Hall is portrayed as it was and with its real master and mistress as hosts for a shooting party!
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